• Galerie Peter Kilchmann is delighted to present The Blind Singer Leads the Way, the third solo exhibition by Swiss artist Uwe Wittwer (*1954 in Zurich) at the gallery on Rämistrasse.

     
    The artist’s body of works contain an interweaving of historical and fictional motifs and form a network of cultural references. Wittwer’s inspiration for the latest conceptual paintings and watercolors comes from his in-depth research in historical photo archives.
     
    For this exhibition, he began by researching the Basel Mission Archives and the archives of the Pitt Rivers Foundation in Oxford. The artist was fascinated by the correlation between trade, religion and colonial conquest. In addition to the archetypal motifs, the photographic subjects he discovered offered fascinating symbolic ambivalences, which he reconceptualized and interpreted in the exhibition.
  • Uwe Wittwer Strom (Stream), 2023 Oil on canvas 195 x 170 cm (76 ¾ x 66 ⅞ in.) 197.5 x...
    Uwe Wittwer
    Strom (Stream), 2023
    Oil on canvas
    195 x 170 cm (76 ¾ x 66 ⅞ in.)
    197.5 x 172.5 cm (77 ¾ x 67 ⅞ in.), framed

     

    Barren, presumably devastated forest landscapes have always been part of the artist's repertoire. In the foreground of the compositions are painterly elements, high-contrast brushstrokes that exist in the mannerism of wild painting as a statement about the painterly act itself in the work. Wittwer placed painted foxing spots across the composition of the canvas. These brush-applied circles shape a moment of further abstraction and create an additional layer to the paintings. They form points of contrast that manifest the relationship between reproduction and reality, source material, and pictorial implementation.

  • Uwe Wittwer The Blind Singer, 2023 Glass, painted on one side and burned 76.5 x 60 cm (30 ⅛ x...
     
    Uwe Wittwer
    The Blind Singer, 2023
    Glass, painted on one side and burned
    76.5 x 60 cm (30 ⅛ x 23 ⅝ in.)
     

    In front of the window in the central room is the glass painting The Blind Singer - the title work of the exhibition. The painting was created by Wittwer in the Mayer'sche Hofkunstanstalt für Glasmalerei und Mosaik in Munich using traditional techniques and careful manual work. The blind singer is a reflection of the viewers who approach Wittwer's work and at the same time of the artist himself, who makes the invisible and the historical visible through his interpretation and realization.

  • On the upper floor of the gallery, eighteen new small-format oil paintings on canvas, mostly portraits, comprise the central part of the exhibition. Reflections, mirroring, and pairings can be found throughout the various works in the three display rooms. 
  • Uwe Wittwer Portrait, 2023 Oil on canvas 55 x 50 cm (21 ⅝ x 19 ¾ in.) 57 x 52...
    Uwe Wittwer
    Portrait, 2023
    Oil on canvas
    55 x 50 cm (21 ⅝ x 19 ¾ in.)
    57 x 52 cm (22 ½ x 20 ½ in.), framed
     

    Wittwer uses the historical images as templates for collages and edits them with Photoshop. Chopped and displaced negatives exist as mirror elements within positives. The artist places the former ethnological research material in the context of a subjective perception.

  • In the basement of the gallery, Wittwer installed a mural that runs through the entire room. With various elongated lines in red color, he replicates the courses of the various rivers that the colonial traders and missionaries navigated at the time of their expansion. The rivers formed the nexus in which the Western colonizers carried out their activities and in which they encountered the subjects of their photographs. 
  • Wittwer placed thirtyeight monochrome watercolors in various small formats with the uniform title Die Mission / The Mission in a salon-like hanging between the painted rivers. They continue the motif of the ever-present red color. The scenes in the monochrome works look like blurry negatives and positives that were taken directly from the rich fund of the two photo archives. However, the reduction of color and the collage-like compositions create a distance from the source material through their abstraction.
  • Uwe Wittwer Die Mission (The Mission), 2023 Watercolour on paper 36 x 51 cm (14 ⅛ x 20 ⅛ in.)...
    Uwe Wittwer
    Die Mission (The Mission), 2023
    Watercolour on paper
    36 x 51 cm (14 ⅛ x 20 ⅛ in.)
    44 x 59 cm (17 ⅜ x 23 ¼ in.), framed
     
  • Uwe Wittwer Die Mission (The Mission), 2022 Watercolour on paper 36 x 51 cm (14 ⅛ x 20 ⅛ in.)...
    Uwe Wittwer
    Die Mission (The Mission), 2022
    Watercolour on paper
    36 x 51 cm (14 ⅛ x 20 ⅛ in.)
    44 x 59 cm (17 ⅜ x 23 ¼ in.), framed
  • Uwe Wittwer's works have been exhibited internationally since the mid-1980s. Past solo exhibitions include: The Mission, Parafin, London (2022), Schwarzer...

    Uwe Wittwer's works have been exhibited internationally since the mid-1980s. Past solo exhibitions include: The Mission, Parafin, London (2022), Schwarzer Schnee, Judin, Berlin, Holzhacker.Spiegel, Galerie Peter Kilchmann, Zurich; Settings of Wrath, at the Musée Ariana in Geneva (all 2021); The Black Suns, Grenchen Art Museum (2019); The Spoils of Ward, Judin, Berlin and Shelter, Galerie Parafin, London (2018).

     

    Important group exhibitions took place in the following institutions, among others: Gewerbemuseum Winterthur, Winterthur (2023); Szydlowksi Gallery, Warsaw (2023); Centre PasquArt, Biel (2022), Parafin, London (2022), Kunstmuseum Solothurn (2021); Kunstmuseum Bern (2019); Herbert Art Museum, Coventry (2018); Langmatt Museum, Baden (2017); Abbot Hall Art Gallery, Kendal (2013); Kunstmuseum Solothurn (2013); Tate Britain, London (2011); PS1 MoMa, New York (2006). Wittwer's works are in the collections of international institutions such as the Metropolitan Museum of Art, New York; the Caldic Collection, Rotterdam; the Kunsthaus Zurich; Sammlung Ludwig, Aachen; the Bern Art Museum; the Solothurn Art Museum; the Bonnefantenmuseum Maastricht; the David Roberts Art Foundation, London; the Musée d’art et d’histoire de la Ville de Neuchâtel, Neuchâtel; the Center PasquART Biel; Museum zu Allerheiligen Schaffhausen as well as the collection of the ZKB Zürcher Kantonalbank and many more.