Overview

Fascinated by the intersection between art and everyday life, Los Carpinteros merge architecture, design, drawing, and sculpture in quirky and unpredictable ways. 

Their carefully crafted constructions advanced a humorous visual language of contradiction and transformation—like the utilitarian versus the useless and form versus function. Their drawings and studies, referencing technical drafts and blueprints, mock the early planning stages involved in making art and their sculptures and installations are at times monumental, stretching the concept of sculpture to include architectural constructions. 
 
Los Carpinteros started collaborating in the 1990‘s shortly after meeting in art school in Havana and adopted the name for their collective in 1994 to embrace the guild tradition of artisans and skilled labourers. Their artistic careers evolved in a cultural setting marked by the Cuban Revolution. With their works, Los Carpinteros occupy an intriguing and ambiguous area that undoubtedly expanded beyond their strategy for critical survival within the Cuban context of the 1990‘s to overcome political, economic and psychological constraints.
 
The collective dissolved in the summer of 2018 and Dagoberto Rodríguez, one of its foundig members, has been working as a solo artist ever since.
 
Major solo exhibitions include (selection): Centro Cultural Banco do Brasil in Brasilia that travelled to Belo Horizonte and Rio de Janeiro (2017); MUAC, Mexico City (2016), and Museum Folkwang, Germany (2016).
Download Artist's Biography (PDF, opens in a new tab.)
Selected works
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